Home office redesign · working draft · updated Sep 20, 2026

Layout B-1

TV centered on the north wall, easy chair centered on the south wall with its back to the windows. Same equipment and placement rules as Layout A, turned 90°.

Floor plan

TV size
Speakers
Cables

All dimensions in inches. Speakers are toed in so each aims ≈12″ outboard of the MLP on its own side — wide of your shoulders rather than straight at your head (dotted lines) — as a starting point. Computed positions are marked ≈; measured ones are exact. The Speakers switch swaps in a single pair of Wharfedale Lintons (11.8″ W × 13″ D, 22.2″ tall on 17.2″ stands) for both KEF pairs, placed by the same rules.

Cable map

Assumes the power amps and speaker switches (including both NFJ&FX PW-6 boxes) on the west rack, and line-level gear on the east rack, with the Douk VFD253-PRO on the Buckeye (west rack) — see Audio racks. Room runs show the drawn floor path; the buying length adds the vertical runs at each end plus ≈1 ft of slack. Rack interconnects (the RCA rows) are estimated from box positions — center to center across and up, plus ≈12″ for plugs — and rounded up to a stock length. The outlet position west of the racks and the A/C cord route are approximate, and power for the side-table gear isn't mapped yet. These lengths are this layout's own: the sub sits further down the east wall than in Layout B-2, so its run is longer.

CableTypeFrom → toRunBuyNotes

How the layout is derived

  1. MLP is fixed. Chair is centered on the south wall; eyes and ears sit ≈10″ off the wall at mid recline, in front of Windows 1 and 2. Click the chair on the plan to switch it between reclined (58″ deep) and sitting up (38″ deep with its back 10″ off the wall, ears 10″ farther forward) — the furniture stays put and the listening numbers follow the seat.
  2. The TV barely needs to move. The listening axis is only 130″, so a 65″ reaches 30° with the screen ≈14″ off the wall. A 77″ or 83″ mounted flush already exceeds 30° (≈32° and ≈35°).
  3. LS50 Metas outside, Q3 Metas inside. Swapped from Layout A so the music pair gets the wider angle (≈48–52°) and the TV pair sits tight to the screen edges (≈37–42°).
  4. Speakers sit 16″ off the north wall. Rear panels are 16″ from the wall (the low end of the 16–20″ that suits the rear-ported Q3 Meta), which puts the speaker fronts 28″ out — 14–24″ in front of the screen, just outside the sightline cone. That leaves a ≈43″ walkway between the speakers and the chair's footrest, and the pairs sit ≈8.1–8.5 ft away.
  5. The A/C vents through Window 1. It sits west of the chair’s west side table with its back on the SW file cabinet’s north edge, 17¼″ off the south wall — far enough north that it clears that cabinet’s drawer, which pulls east across the cabinet’s full 15″ width. 3½″ from the side table, ≈11½″ from the door desk. The hose drops behind the table into the 10″ the side tables leave clear along the south wall, then runs east to W1.

Acoustics and livability

Windows behind your head

The same ≈280–420 Hz back-wall cancellation as Layout A, but the surface behind the headrest is Window 1 / Window 2 glass. Covering the windows is fine, so a 4″+ absorber mounted over W1 and W2 behind the headrest handles it — standing off the 2″ sills. The A/C duct panel takes the bottom ≈5″ of W1, so the panel there stops above it; W2 can be covered all the way down.

Side-wall reflections

First reflections land ≈55–63″ from the north wall with the 65″ (≈53–62″ with the 77″/83″) — ranges that cover both reclined and upright seating, which is what the green bands on the plan span, so they hold still when you click the chair. On the east that's drywall; on the west it's the shut south door leaf — 2 × 5 glass lites. Since that leaf stays closed, a panel can hang over it, but untreated the two sides won't match.

Front-wall cancellation

With speaker fronts 28″ off the north wall, the reflection off that wall cancels a band around ≈120 Hz — above a typical 80 Hz sub crossover, so EQ can't fill it. Thick (4–6″) absorption on the north wall behind each speaker makes it shallower; measure before settling on the crossover.

Room modes

Front-to-back is now the 130″ dimension: the MLP sits on the peak of the 52 / 104 / 156 Hz modes, close to the 56 Hz height mode. Across the 158″ width, the centered MLP is in the 43 Hz null and on the 86 Hz peak.

Bookshelf behind the west LS50

The NW bookshelf sits ≈4–5″ from the west LS50, while the east side has open wall — so the west side will run bassier. Options: plug the west LS50's port, move the bookshelf, or measure and let room correction even out the sides.

Output at the MLP

At ≈8.1–8.5 ft instead of ≈9.5 ft, both pairs play ≈1–2 dB louder than Layout A for the same amp power, with wider stereo angles (≈48–52° LS50 outside, ≈37–42° Q3 inside).

Screen glare

The screen faces all three south windows and their transoms. Blinds and transom shades help; panels over the windows would remove the glare entirely, at the cost of daylight.

East side furniture

The 28″ bookshelf fills the NE corner. Below it on the east wall, north to south: an 84″ bookshelf centered in the 27″ bay (29⅝–53⅜″ from the north wall, back to the wall), the sub centered in front of it (34–49″), the 58″ × 28″ desk facing west (55–113″), and a file cabinet in the SE corner, drawers west (113–128″). The desk sits ≈1⅞″ off the wall with the cabinet out on the same plane, their fronts ≈29⅞″ off the east wall. The sub sits back from that plane at ≈10¾″ off the east wall — 3⅜″ behind the desk front, with its back reaching 1⅛″ into the bookshelf. The run stops 2″ short of the south wall so the cabinet clears W3’s sill. Seated at the desk there’s ≈22″ to the recliner’s east side table. The east-wall reflection band (≈53–63″) clips the bookshelf’s south end by ≈⅜″ and otherwise falls over the desk, below ear height, so a panel there still works.

The 84″ bookshelf is 23⅝″ wide × 11⅞″ deep, with ≈1⅔″ to the NE bookshelf and to the desk on either side. The sub’s back reaches 1⅛″ into it — a notch that deep and ≈16″ wide in the front edge of the bottom shelf clears it, and the shelf goes on tying all four legs, so nothing structural is given up. The sub stands 14⅝″ proud of the bookshelf face and covers 15″ of its 23⅝″ width at the bottom, leaving ≈4⅜″ open each side. It covers the ethernet jack (34½–37½″), which already has a right-angle patch cable in it, so nothing needs reaching later — the plate and its boot just hold the shelf a little off the wall unless the rear panel is notched. At 84″ on an 11⅞″ footprint with a 300 W sub in its bottom bay it wants anchoring to the wall. The 4⅓″ under the bottom shelf clears the cable runs along that wall.

West wall furniture

An 80″ × 24″ door laid flat makes a desk along the west wall (47¾–127¾″ from the north wall, pulled 2¼″ off the south wall), on two file-cabinet legs (backs to the wall, drawers opening east), top ≈30¾″, ≈50″ of knee space between the legs and nothing on top of it. The desk starts ≈8½″ past the active door leaf's swing. Its north end (cabinet + door, ≈31″ tall) is low enough that a panel at the west-wall reflection zone (≈53–63″) still works.

Audio racks under the TV

Two identical racks sit side by side on the north wall directly under the TV, 4″ off the wall to leave room for the cables behind them, meeting on the room's centerline (47.2″ wide together, 55⅜–102⅝″ from the west wall — inside the screen's width at every TV size). The TV's bottom edge has to clear their 30.3″ tops, so the screen sits high — tilt it down toward the MLP. The racks stay below tweeter height, ≈4¼–9″ from the inner Q3s depending on TV size, so the speakers' paths to you stay open, and cable runs to the TV and speakers are short. The sub sits on the east wall in the 84″ bookshelf’s bottom bay (34–49″ from the north wall), facing west, ≈10¾″ off the wall. Both coordinates are now the ones the model tested: its center is ≈41½″ from the north wall, mid-band in the ≈30–50″ window the model called smoothest at the chair (≈10 dB unevenness 30–90 Hz against ≈23 under the door desk, deepest dip ≈−4½ dB), and 10¾″ is the off-wall distance it was actually evaluated at. Measure before settling. The east LS50 clears it by ≈7½–10½″, closest with the 83″; more is available by moving the sub south, at the cost of the smooth band — the model has the deep dip back by ≈60″ from the north wall.

Getting in and out

The active door opens beside the west speaker pair; with the speakers pulled back there's a ≈43″ walkway between them and the chair. Matching 11½″ side tables flank the recliner, backs level with the chair’s when it isn’t reclined (10″ off the south wall); the east one carries the IR senders and headphone amp. The A/C sits west of the chair, ≈3¼ ft from your ears.

Layout B-1 vs Layout A

Compared with a 77″ TV in both layouts. Bold marks the stronger option.

Layout ALayout B-1
Viewing angle30° on a ≈21″ arm≈32° flush on the wall
Distance to speakers≈10.5–10.8 ft≈8.1–8.5 ft (≈2 dB louder)
Stereo angle44° LS50 outside · 36° Q3 inside50° LS50 outside · 39° Q3 inside
Speakers to side walls≈6″ (south LS50, group shifted south)≈32″ (LS50)
Furniture conflictsNone within 12″ (rack now under the TV)West LS50 ≈4½–5½″ from the NW bookshelf; inner Q3s ≈4½–9″ from the audio racks
Rear-port clearance≈16″≈16″
Front-wall cancellation≈120 Hz≈120 Hz
TV vs speaker fronts≈5″ behind≈24″ behind
Side-wall reflectionsDrywall north, W2 glass south — both treatableDrywall east, shut glass door west — both treatable
Wall behind your headDrywall and shut glass door — panel covers bothW1/W2 glass — all of W2, W1 above the A/C duct panel
Screen glareWindows to the sideWindows facing the screen — panels or blinds needed
A/CStays at Window 1, ≈25″ from chairMoves to W1, west of the chair, ≈3¼ ft from ears
EntryBeside the chairPast the west speaker pair
Open wall for a deskNorth wall, beside the NW bookshelfCentered on the east wall, facing west

Open items for Layout B-1

Existing conditions and equipment dimensions are listed on Layout A.